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worlds undone

worlds undone

Category Archives: Sylvia Washington

CCLIV – warm up to reclamation

28 Sunday Dec 2008

Posted by nelle in Alicia Ellenwood, Barbara Millwood, Bill Green, Jahrae, llhaesa, Marcia Paang, Sylvia Washington

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blog fiction, blog novels, blog stories, blog-books, creative writing, e books, e novels, eBooks, feminism, feminist, feminist fiction, feminist literature, feminist stories, feminist writing, fiction, lesbian, lesbian books, lesbian fiction, lesbian literature, lesbian stories, lesbian writing, lesbian-novels, literature, online books, online novels, original fiction, story telling, writing

President Alicia Ellenwood feigned unconsciousness whenever someone other than Sylvia Washington entered her room. While she tired of the skulduggery, their world’s future depended on a decisive end to the nonsense now put forth by the Acting President.

Both felt it was not yet time to reveal Alicia’s recovery, though that time rapidly approached. Sylvia turned on a television in the room and left it on during much of the day, claiming ‘the voices might help to bring the President out of her coma.’

In reality, the television was on for the President to gain some inkling of what was going on in the country and world. When news broke the day before of the landing in Henna, Sylvia knew it was imperative Alicia follow the story.

“I need to return to office, Sylvia.” Alicia pronounced, watching the panicked statements coming from Washington insiders. Acting President Green remained silent on the incident, and that worried Alicia. “I suspect that llhaesa is now feeling the brunt of his silence,” she presciently mused.

CNN interviewed Jamila Karenga, who expressed similar outlook to Alicia, questioning what her government was doing behind the scenes with a known off worlder; one she knew was of good intent. Jamila announced plans to hold a live broadcast on the ongoing detention of llhaesa and the landing incident of Saturday, the broadcast scheduled in three days, on Wednesday, 1 October.

“As currently envisioned,” Jamila explained, “the programme will serve as a non-monetary telethon to raise awareness of llhaesa’s plight, her mistreatment, and to encourage our leaders to a more intelligent and humane course.”

Watching Jamila share her plan and its purpose, Alicia had an overwhelming urge to reach through the television and hug the talk show host. “At least someone out there is making use of reason and intelligence!” Alicia silently mused, exceedingly annoyed that reason and intelligence was obviously absent from the acting leadership.

Sylvia entered the room, and seeing Alicia awake and annoyed, inquired as to why she was annoyed. Alicia outlined Jamila’s plan and Alicia’s view of it, and then asked, “Sylvia, I wish to be out of this hospital on Wednesday morning. What is your thinking on this?”

Sylvia was cautious by nature, and she knew Alicia would go full speed once out the door, but there was little risk other than exhaustion. “I think that will be fine, that you will be fine. Shall we maintain the front of you still being comatose until then?”

“Yes, yes I think that is perfect, actually. Please meet with Marcia Paang, and fill her in. I dare not have her back here more than once prior to then. When I leave, I wish to leave undetected. Is there any way in your view this can be done, given the other staffers, and given the Secret Service outside the door?”

Sylvia pulled up a chair, her mind thinking through ways to get someone out of this room without detection, especially when that person was the President.

“Perhaps, and the worst that can happen is we are unsuccessful.”

“OK, then this is what we will attempt. Please have Marcia here Tuesday; I will give her instructions on what she is to do on Wednesday.

In the meantime, find out where they are holding Barbara, and contact the US Attorney for the Washington district, they are trustworthy. Have them initiate court action to get Barbara released. I expect she will be, and when she is, please give a message I am about to write out to Marcia to bring to Barbara…”

Barbara was actually under home detention, and the Acting President released her earlier Sunday morning, with the caveat she could not resume her duties as Attorney General.

Barbara was incensed at what unfolded, first ill treatment of llhaesa and now of her. There would be a reckoning coming, and Barbara most assuredly intended to ride that wave and sweep away every person who played a role in the mistreatment and abuse of power. If only Alicia would come out of her coma, so much would change.

Her door greeting signalled a visitor, and Barbara made her way to the foyer of her Washington townhouse, and pulled open the door. Marcia Paang stood on the stoop, smiling at seeing her friend again available for contact. Barbara invited Marcia in, and the two settled in the kitchen after Marcia accepted Barbara’s offering of coffee.

After setting the coffeemaker, they settled at the kitchen table, initially exchanging formalities, but soon enough moved to the subject of the President. “Barbara,” Marcia began, knowing she was about to stun Barbara, “Alicia is awake.”

“What!” A smile pulled over her face, thrilled with the news. “So that means Green is out!”

“Not quite.”

“Why?”

It was Marcia’s turn to smile. “Alicia is not at all happy with what has occurred while she was in a coma, and wishes to maintain the illusion of her comatose condition whilst she moves to act.

Have you heard Jamila will broadcast live, in telethon format, on Wednesday?”

This confused Barbara, not getting the association to Alicia, and her face reflected the confusion. The coffeemaker signalled its readiness, and Barbara rose, removed two mugs from her cupboard, and poured, while answering, “Yes, yes, I have, but what has that to do with Alicia?”

“I just met with Sylvia Washington, who relayed a basic plan from the President. Alicia intends to resume the presidency on Wednesday, and she wishes to do so on her terms. The plan is for her to leave the hospital surreptitiously in order that she can act decisively on llhaesa t’yaeli and the woeful treatment afforded her by Green.”

“How does Jamila factor into this?”

Marcia smiled, an almost scheming smile, and outlined the limited details she knew of the plan, and then she handed over the President’s note.

Barbara read and listened, taking to the idea, though she thought it had little chance of actual success. “I just do not see how you can get Alicia out of her room without Secret Service awareness, and I do not see how you can get llhaesa out of detention, either without all manner of bells and whistles going off to alert Green.”

“Alicia is owed more than a few favours, and she has a rather sizeable amount of cache as President, would you not agree?”

“True.”

“If a part of the plan fails here or there, she will move to secondary steps to achieve the overall goal.

Barbara, you have met llhaesa. What is your impression of her?”

Barbara answered without hesitation. “I have never met anyone quite like her, and I do not mean that because she is from off world.

This is someone with an idealistic view of the universe, a vision for a world – or worlds – where people have respect for diversity, and embrace equality passionately. She is saddened by, and despises ill treatment of anyone, despises war, the use of power for personal gain, and a host of other things.

Llhaesa is also an unabashed optimist. She will find a way to smile in the toughest of circumstances. On top of that, she is intelligent, personable, and one hell of a musician.”

“In other words, you do not view her as a threat to our world.”

“Only to those who engage in the things I mention. Do not discount her ability to effect change once let loose on the population. She has a certain presence, and the combination of her off world origin and music ability will make people stop and listen to what she has to say. With such an opportunity to be heard, you can bet llhaesa is able to take it from there and get her point of view to register with people.”

“What do you make of the landing in Henna?” Marcia was uncertain what this signified.

Barbara thought for a moment, holding back an answer for just a moment. “An educated guess is that llhaesa’s partner is here looking for her. Llhaesa suspected she was on the way.

I know the reports indicate the Salstons left with this person, and that is consistent with this being a family matter. You can expect they will ratchet up the pressure for llhaesa’s release, what with Ronnie sharing what she knows with Jahrae.”

“Jahrae?”

“Llhaesa’s wife, before she was abducted, altered and sent to exile here.

Marcia, this is a diplomatic issue, and we are in danger of creating an interstellar incident through our ignorant and reckless conduct. If we are not careful, we piss away the opportunity to take this world to a wonderful future, and have relations across a significant chunk of space with what I suspect are wonderful people – and our cousins, after all.”

“You seem confident of that view.”

“Yes, yes I am. I spent a lot of time with the Salstons, and with llhaesa. I suspect when she meets Alicia, they will become instant friends.”

“OK, then if you believe, and she believes, I trust both of you… so I believe. Let’s make this plan happen.”


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♣ raison d’être


Over the past seven months, writing the individual stories of llhaesa and Jahrae, as well as their common story, has taken a special place in my heart.

There are some elements, those with playful exchanges, or those where discussion is heavier, that grab hold of my emotions, sometimes even grab hold of my thoughts, weighing upon me during the day.

llhaesa’s story has been welling inside of me for some significant time in rough form. The story is a by-product of coping with gender dysphoria, of being a feminist and a lesbian, and dealing with all the issues related to being lgbt through my life, from closet to post-coming out; while finding – or perhaps stumbling - my way through.

Music is the catalyst, a translator of raw sensory information and feelings, that helps me take the cloud forming in my mind and shape it into story. Sometimes this is via the lyrics, other times through the melody, sometimes simply by way of the sound of an individual instrument.

Musical influences come from Delerium; Beth Orton; Dar Williams; Joan Armatrading; Sarah McLachlan; Tori Amos; Natalie Merchant; Heather Nova; Tracy Chapman; Linda Perry; Alanis Morissette; Bruce Springsteen; Brooke White; Roxy Music; and many others.

There is no order to the posting of story elements or in writing them; each is posted randomly in time, of character, of place - much like how we might share stories from our lives with another. There are times when I will string together elements, and that pattern is evident in the rescue of llhaesa and the subsequent reunion.

Most of the novel is told via a narrator; with one exception. Writing llhaesa’s last day from her perspective - what she experiences, what she sees unfold around her, how she views and reacts to these things – seemed more compelling and interesting. I added one final element to this that actually is not of her last day on Arrhazon, but in her coming out here.

There are six posts told from llhaesa’s real time experience. These story elements (in her words I-VI) are the most interesting and fun to write, as well as the most emotionally draining. As I write this, 29 posts remain in book one, and the last ten have proven the most demanding emotionally.

Some of the story involves an element of science fiction, necessary to bridge the connection between the two worlds, the disconnects, the reconnects. It is not my intent to fashion a tale of science fiction, and the parts that touch on it will remain an essential minimum. The true intent is to share a humanist and feminist story, one where two worlds struggle to find their way to gender equality. The main protagonists are lesbian, and we get to see where at least on one world, this is no issue. Our world can have issue with us, and in this story, one gets to watch as both worlds find their way to creating more accepting and equal societies. The next book will find llhaesa facing this issue square on.

The story consists of 300 individual elements, which when collectively read forms a story of book length. As written currently and displayed on the blog, this is a rough draft; changes will likely be made over time to already published elements.

This is Book One, as what follows post 300 will best be framed into its own book. The second will address issues that will be at once interesting and challenging to explore and contemplate - building upon the story told in Book One. Llhaesa, drawing upon idealism, optimism, and an incredible ability to motivate, will tackle issues in ways I believe most all of us in the lesbian community would wish to see unfold in actuality. If nothing else, the story allows us to get lost in fantasy for a while.

While the title is ‘world’s undone,' this is really the life story of and the results triggered by an incredibly talented musician and activist. Llhaesa refuses to sit idly by while gender discrimination harms the women of her world and freedom is lost on one world, paying a terrible price for her effort. When she resurfaces here, now it is our turn to face her challenges to a world resulting from her unrelenting vision and dreams.

Jahrae, while prominent throughout the story, is sort of the unsung hero, the person who grows through the story to become a formidable presence in her own right. This is by design, and her growth is a perfect match to llhaesa, who needs someone to challenge and inspire her to new learning, to new creativity.

As I wrote the story, note that I originally did not plan on having the children parented by Jahrae, Ronnie, and llhaesa. Initially my intent was for friction to build, to show that sometimes we run into difficulty seeing eye to eye with our spouses. In the end, I could not do this, for my idealism and optimism, of trying to craft something as it should be, got in the way.

nelle

♣ say that again?

Aalon:

A.ah.lawn



Aailhra:

A.yul.har.rah



Arrhazon:

Are.ha zawn



Brellian:

Brr.L.lee.an



Chsensera:

Cheh.sen.sear.rah



Cshrehyi:

Sess.ray.hee



Djellrin:

Dee.jell.er.in



E'sphara:

E.ss.far.ruh



Gl’nsiel Frehsan:

Jellen.sheel Fray.shawn



Hrilleae:

Ha.rill.ee.ay



I'Isahra M'lensa:

I.ih.sah.rah Mah.len.sah



Jahrae T'srha Khentavra:

Ja.ha.ray Teh.share.ahh Ka.hen.tahv.rah



Jesnsera Sserhara:

Ja.ess.en.sear.ah Say.sear.ahh



Elsrensia K’avahra:

L.sir.rent.sha Kah.hah.vair.ah



Khaehala:

Kay.ha.la



Khahishra:

Ka.ha.heesh.ruh



Kyielra:

Ka.E.I'll.ra



llhaesa ahrella t'yaeli:

lie yay sah are.ha.rell.la tay.lye



Lzrehae N’seseh:

Lah.zer.ra.hay N.sha.say



M'sela J'serhn:

Mah.sell.ahh Jay.sehr.hen



M'traliel Zralensa:

M.tra.lee.ell Zee.ra.len.sah



Mrevan:

Mm.ruh.van



Njesera:

En.djuh.say.rah



N'rellia:

N.rell.lee.ah



Olterian:

Oh.L.tear.E.an



Saehressa:

Sigh.ah.ress.ah



Serada:

Sir.rah.da



Sjre Jlrasre:

S.jer.ray Jas.sell.rass.er



Sk'vra Kjurha:

Skeh.var.rah Kah.jour.rah



Vreloran:

Vreh.lore.an



Zreltian:

Zzer.L.she.an



♣ people and places

  • 51 Pegasi
  • Aailhra
  • Aalon
  • Addison
  • AGA
  • Alicia Ellenwood
  • Anita
  • arlkhala
  • Arrhazon
  • Arrhazon College
  • Arrhka
  • Arrkarhara
  • Barbara Millwood
  • Bill Green
  • Boston
  • Brellian
  • Casey
  • Chsensera
  • city north
  • Cshrehyi
  • David
  • Djellrin
  • Dolores
  • Dottie Salston
  • Dr Elsrensia K’avahra
  • Dr. Ed Ellsworth
  • Dr. Wrehsx
  • E'sphara
  • Empo
  • Ensign Sserhara
  • Gl'nsiel
  • Henry Smithson
  • Hrilleae
  • I’Isahra M’lensa
  • J'saera
  • Jahrae
  • Jamila Karenga
  • J’luhre Forest Preserve
  • Jesnsera
  • Jredvarha City
  • Keene
  • Khaehala
  • Khahishra
  • Kukaeshra
  • Kyielra
  • Lajxa R’chr
  • llhaesa
  • Lzrehae
  • M'sela J'serhn
  • M'traliel
  • Marcia Paang
  • Mark Cahill
  • Mrevan
  • N'rellia
  • N'rellia Naturally
  • Nenseru Woods
  • Njesera
  • North 41
  • Old City
  • Olterian
  • reiki
  • Ronnie
  • Saehressa
  • Sara Beth
  • SEQ
  • Serada
  • Sjre Jlrasre
  • Sk'vra
  • southeast quadrant
  • Susan Woodward
  • Sylvia Washington
  • Tim
  • V'aesza
  • Vicki
  • Vreloran
  • Y'sre School of Music
  • Zreltian

♣ who’s who

Aalon:

Chief Curator of N’rellia Conservatory of Music



Aailhra:

Arrhazonan equivalent to Reiki



Addison:

Ronnie and llhaesa’s eldest daughter



Arrhazon:

llhaesa & Jahrae home world



Brellian:

Unstable Arrhazonan dictator



Chsensera:

Child friend of llhaesa and Jahrae



Cshrehyi T’yaeli:

llhaesa’s brother



Djellrin Khentavra:

Jahrae’s dad



E'sphara:

Owner of E’sphara Artist Colony



Gl’nsiel Frehsan:

Chief of Government after Brellian



Hrilleae Khentavra:

Jahrae’s mum



Admiral I'Isahra M'lensa:

Commander of Equality



Jahrae T'srha Khentavra:

llhaesa’s wife, and Ambassador



Jesnsera Sserhara:

hero of revolution who saves Jahrae



Ensign Jesnsera Sserhara:

daughter of Jahrae’s friend & wife of Chsensera



Elsrensia K’avahra:

Physician and revolutionary



Khaehala:

Chsensera’s mum



Khahishra:

llhaesa’s college roommate and M’traliel’s wife



Kyielra:

victim of murder, witnessed by young Jahrae



llhaesa ahrella t'yaeli:

musician and leader of two worlds



Lzrehae N’seseh:

Government employee and discoverer of important documents



M'sela J'serhn:

llhaesa’s college advisor



M'traliel Zralensa:

friend of llhaesa, and first lover



Mrevan:

llhaesa’s dad



Njesera:

Head of government records department



N'rellia:

Llhaesa’s college and most prestigious school on Arrhazon



Olterian:

Concert promoter



Saehressa:

llhaesa’s mum



Serada:

Ronnie and llhaesa’s youngest daughter



Sjre Jlrasre:

Café owner



Sk'vra Kjurha:

llhaesa nemesis and future hero of revolution



Vreloran:

government technician who helps llhaesa



Zreltian:

Former Arrhazonan Chief of Government



♣ historical tales

  • February 2009
  • January 2009
  • December 2008
  • November 2008
  • October 2008
  • September 2008
  • August 2008
  • July 2008
  • June 2008

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♣ CC License

Worlds Undone

by llhaesa t'yaeli



Is licensed under a

Creative Commons Attribution-No Derivative Works 3.0 United States License.

Based on a work at http://llhaesa.org/.

♣ CC Licence II

Worlds Undone

by llhaesa



Is licensed under a

Creative Commons Attribution-No Derivative Works 3.0 United States License.

Based on a work at llhaesa.wordpress.com.

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