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worlds undone

worlds undone

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I – prologue

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Posted by nelle in Jahrae

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Clouds extended to the horizon, pressing downward as if threatening all who defiantly and audaciously passed below. The inclement city air felt stagnant, unstirred and absorbent of every foul odour emitted in the capital district. Most stayed indoors; those that ventured out felt an urge to hold their breath and breathe only when necessary. For these few, when they talked at all, would tersely describe weather conditions as unhealthy – and quite rebellious.

“Quite suited to circumstance and my mood,” Jahrae reflected, now barely able to function. Finding a way to move forward after your world was pulled away, maliciously ripped apart and cast to the overbearing and uncaring sky – left Jahrae knowing her inner will mustered a diminishing and weakening hold to dear life – living was the last thing she wished to do in this moment, on this day, or ever into the future.

Finding limited cubic space into which she might fit snugly and await her desired fate was far more an inviting and comforting a thought. Ever since the official with the barely disguised glee in his voice called her hours before, Jahrae spent half the ensuing time in resistance to  the comforting draw of shutting down. The other half of time willed her toward this self-induced oblivion out where she could be anonymous and left alone. What she most needed by whatever method was an end the horrific emotional pain that swarmed over her at 10:20, 310 minutes before.

Rebellious The word came rushing back in the midst of her struggle to hold tight to whatever remaining strength and will she possessed, headlong into her tenuous connection to what was just one day before. Rebellious. The word rattled around her mind in an unwitting and unending instant replay that mocked all that she believed. How many times had this word been tossed accusingly at them? Why challenge millennia of established cultural mores? Why do you believe women deserve equality? What makes you think you are our equal? These comments and so many more misjudgements were thrown at them by Brellian’s henchmen and lackeys in their two short years as partners. Did their cause matter any longer, or at least, did it matter to her with her beloved llhaesa gone?

Patriarchy was a living hell for Arrhazonan women, an irrational system that worked to squelch the abilities and contributions of half the people of their world. With the onset of dictatorship, llhaesa would no more keep silent than a songbird. With the gift of her voice and musical play, she worked tirelessly to change their world through peaceful means, through enlightenment, through music.

That shred of herself clinging to a will to live forced its way into Jahrae’s mind. She understood that to give in now, to lie down and let go of the last remaining and unseen emotional tether to llhaesa, meant not just the failure of her heart and mind and soul, but the loss of any hope of fulfilling llhaesa’s dream of equality on Arrhazon.

Fully two-thirds through this forlorn and melancholic day, Jahrae wrestled with drawing upon what she had taken away, or rather learned, from the person who until the coming night lie next to her through her first years as an independent adult. Jahrae’s thoughts veered away from pondering her immediate course of action and toward a remembrance of the gentle, constant, and loving touch that melded them into one each night. Now, locked by only memory through time and guided as if by some mandatory primal instinct, the experience and memories screamed for her to keep up the fight.

The pain overwhelmed, the threat to shut down hovering near. It was too much, pushing her towards shock.  For Jahrae, there would be months of agonising and a further fall before circumstances would move her to rediscover her strength. Friends old and new, family, and mysterious associates would one day rekindle her spirit and drive, but not before she learned life anew, from the bottom up.

In the end, Jahrae would accomplish all she wished to in memory of her partner, and far into the future, to the twenty-two year old, fully a decade and a half ahead, she would find something thought lost that would rock her world – or more precisely, two worlds.

Newer posts →

♣ raison d’être


Over the past seven months, writing the individual stories of llhaesa and Jahrae, as well as their common story, has taken a special place in my heart.

There are some elements, those with playful exchanges, or those where discussion is heavier, that grab hold of my emotions, sometimes even grab hold of my thoughts, weighing upon me during the day.

llhaesa’s story has been welling inside of me for some significant time in rough form. The story is a by-product of coping with gender dysphoria, of being a feminist and a lesbian, and dealing with all the issues related to being lgbt through my life, from closet to post-coming out; while finding – or perhaps stumbling - my way through.

Music is the catalyst, a translator of raw sensory information and feelings, that helps me take the cloud forming in my mind and shape it into story. Sometimes this is via the lyrics, other times through the melody, sometimes simply by way of the sound of an individual instrument.

Musical influences come from Delerium; Beth Orton; Dar Williams; Joan Armatrading; Sarah McLachlan; Tori Amos; Natalie Merchant; Heather Nova; Tracy Chapman; Linda Perry; Alanis Morissette; Bruce Springsteen; Brooke White; Roxy Music; and many others.

There is no order to the posting of story elements or in writing them; each is posted randomly in time, of character, of place - much like how we might share stories from our lives with another. There are times when I will string together elements, and that pattern is evident in the rescue of llhaesa and the subsequent reunion.

Most of the novel is told via a narrator; with one exception. Writing llhaesa’s last day from her perspective - what she experiences, what she sees unfold around her, how she views and reacts to these things – seemed more compelling and interesting. I added one final element to this that actually is not of her last day on Arrhazon, but in her coming out here.

There are six posts told from llhaesa’s real time experience. These story elements (in her words I-VI) are the most interesting and fun to write, as well as the most emotionally draining. As I write this, 29 posts remain in book one, and the last ten have proven the most demanding emotionally.

Some of the story involves an element of science fiction, necessary to bridge the connection between the two worlds, the disconnects, the reconnects. It is not my intent to fashion a tale of science fiction, and the parts that touch on it will remain an essential minimum. The true intent is to share a humanist and feminist story, one where two worlds struggle to find their way to gender equality. The main protagonists are lesbian, and we get to see where at least on one world, this is no issue. Our world can have issue with us, and in this story, one gets to watch as both worlds find their way to creating more accepting and equal societies. The next book will find llhaesa facing this issue square on.

The story consists of 300 individual elements, which when collectively read forms a story of book length. As written currently and displayed on the blog, this is a rough draft; changes will likely be made over time to already published elements.

This is Book One, as what follows post 300 will best be framed into its own book. The second will address issues that will be at once interesting and challenging to explore and contemplate - building upon the story told in Book One. Llhaesa, drawing upon idealism, optimism, and an incredible ability to motivate, will tackle issues in ways I believe most all of us in the lesbian community would wish to see unfold in actuality. If nothing else, the story allows us to get lost in fantasy for a while.

While the title is ‘world’s undone,' this is really the life story of and the results triggered by an incredibly talented musician and activist. Llhaesa refuses to sit idly by while gender discrimination harms the women of her world and freedom is lost on one world, paying a terrible price for her effort. When she resurfaces here, now it is our turn to face her challenges to a world resulting from her unrelenting vision and dreams.

Jahrae, while prominent throughout the story, is sort of the unsung hero, the person who grows through the story to become a formidable presence in her own right. This is by design, and her growth is a perfect match to llhaesa, who needs someone to challenge and inspire her to new learning, to new creativity.

As I wrote the story, note that I originally did not plan on having the children parented by Jahrae, Ronnie, and llhaesa. Initially my intent was for friction to build, to show that sometimes we run into difficulty seeing eye to eye with our spouses. In the end, I could not do this, for my idealism and optimism, of trying to craft something as it should be, got in the way.

nelle

♣ say that again?

Aalon:

A.ah.lawn



Aailhra:

A.yul.har.rah



Arrhazon:

Are.ha zawn



Brellian:

Brr.L.lee.an



Chsensera:

Cheh.sen.sear.rah



Cshrehyi:

Sess.ray.hee



Djellrin:

Dee.jell.er.in



E'sphara:

E.ss.far.ruh



Gl’nsiel Frehsan:

Jellen.sheel Fray.shawn



Hrilleae:

Ha.rill.ee.ay



I'Isahra M'lensa:

I.ih.sah.rah Mah.len.sah



Jahrae T'srha Khentavra:

Ja.ha.ray Teh.share.ahh Ka.hen.tahv.rah



Jesnsera Sserhara:

Ja.ess.en.sear.ah Say.sear.ahh



Elsrensia K’avahra:

L.sir.rent.sha Kah.hah.vair.ah



Khaehala:

Kay.ha.la



Khahishra:

Ka.ha.heesh.ruh



Kyielra:

Ka.E.I'll.ra



llhaesa ahrella t'yaeli:

lie yay sah are.ha.rell.la tay.lye



Lzrehae N’seseh:

Lah.zer.ra.hay N.sha.say



M'sela J'serhn:

Mah.sell.ahh Jay.sehr.hen



M'traliel Zralensa:

M.tra.lee.ell Zee.ra.len.sah



Mrevan:

Mm.ruh.van



Njesera:

En.djuh.say.rah



N'rellia:

N.rell.lee.ah



Olterian:

Oh.L.tear.E.an



Saehressa:

Sigh.ah.ress.ah



Serada:

Sir.rah.da



Sjre Jlrasre:

S.jer.ray Jas.sell.rass.er



Sk'vra Kjurha:

Skeh.var.rah Kah.jour.rah



Vreloran:

Vreh.lore.an



Zreltian:

Zzer.L.she.an



♣ people and places

  • 51 Pegasi
  • Aailhra
  • Aalon
  • Addison
  • AGA
  • Alicia Ellenwood
  • Anita
  • arlkhala
  • Arrhazon
  • Arrhazon College
  • Arrhka
  • Arrkarhara
  • Barbara Millwood
  • Bill Green
  • Boston
  • Brellian
  • Casey
  • Chsensera
  • city north
  • Cshrehyi
  • David
  • Djellrin
  • Dolores
  • Dottie Salston
  • Dr Elsrensia K’avahra
  • Dr. Ed Ellsworth
  • Dr. Wrehsx
  • E'sphara
  • Empo
  • Ensign Sserhara
  • Gl'nsiel
  • Henry Smithson
  • Hrilleae
  • I’Isahra M’lensa
  • J'saera
  • Jahrae
  • Jamila Karenga
  • J’luhre Forest Preserve
  • Jesnsera
  • Jredvarha City
  • Keene
  • Khaehala
  • Khahishra
  • Kukaeshra
  • Kyielra
  • Lajxa R’chr
  • llhaesa
  • Lzrehae
  • M'sela J'serhn
  • M'traliel
  • Marcia Paang
  • Mark Cahill
  • Mrevan
  • N'rellia
  • N'rellia Naturally
  • Nenseru Woods
  • Njesera
  • North 41
  • Old City
  • Olterian
  • reiki
  • Ronnie
  • Saehressa
  • Sara Beth
  • SEQ
  • Serada
  • Sjre Jlrasre
  • Sk'vra
  • southeast quadrant
  • Susan Woodward
  • Sylvia Washington
  • Tim
  • V'aesza
  • Vicki
  • Vreloran
  • Y'sre School of Music
  • Zreltian

♣ who’s who

Aalon:

Chief Curator of N’rellia Conservatory of Music



Aailhra:

Arrhazonan equivalent to Reiki



Addison:

Ronnie and llhaesa’s eldest daughter



Arrhazon:

llhaesa & Jahrae home world



Brellian:

Unstable Arrhazonan dictator



Chsensera:

Child friend of llhaesa and Jahrae



Cshrehyi T’yaeli:

llhaesa’s brother



Djellrin Khentavra:

Jahrae’s dad



E'sphara:

Owner of E’sphara Artist Colony



Gl’nsiel Frehsan:

Chief of Government after Brellian



Hrilleae Khentavra:

Jahrae’s mum



Admiral I'Isahra M'lensa:

Commander of Equality



Jahrae T'srha Khentavra:

llhaesa’s wife, and Ambassador



Jesnsera Sserhara:

hero of revolution who saves Jahrae



Ensign Jesnsera Sserhara:

daughter of Jahrae’s friend & wife of Chsensera



Elsrensia K’avahra:

Physician and revolutionary



Khaehala:

Chsensera’s mum



Khahishra:

llhaesa’s college roommate and M’traliel’s wife



Kyielra:

victim of murder, witnessed by young Jahrae



llhaesa ahrella t'yaeli:

musician and leader of two worlds



Lzrehae N’seseh:

Government employee and discoverer of important documents



M'sela J'serhn:

llhaesa’s college advisor



M'traliel Zralensa:

friend of llhaesa, and first lover



Mrevan:

llhaesa’s dad



Njesera:

Head of government records department



N'rellia:

Llhaesa’s college and most prestigious school on Arrhazon



Olterian:

Concert promoter



Saehressa:

llhaesa’s mum



Serada:

Ronnie and llhaesa’s youngest daughter



Sjre Jlrasre:

Café owner



Sk'vra Kjurha:

llhaesa nemesis and future hero of revolution



Vreloran:

government technician who helps llhaesa



Zreltian:

Former Arrhazonan Chief of Government



♣ historical tales

  • February 2009
  • January 2009
  • December 2008
  • November 2008
  • October 2008
  • September 2008
  • August 2008
  • July 2008
  • June 2008

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♣ CC License

Worlds Undone

by llhaesa t'yaeli



Is licensed under a

Creative Commons Attribution-No Derivative Works 3.0 United States License.

Based on a work at http://llhaesa.org/.

♣ CC Licence II

Worlds Undone

by llhaesa



Is licensed under a

Creative Commons Attribution-No Derivative Works 3.0 United States License.

Based on a work at llhaesa.wordpress.com.

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